Current exhibition
“The human being is not a finished structure, but an architecture in permanent reconfiguration.”
Psychological cubism · Rio de Janeiro, 2026

Arquitectura del pensamiento, 2026 · IMB-26-012
The exhibition
An artistic investigation by IMBRECH into the complexity of identity, existential tension and the invisible dimensions of consciousness.
Arquitecturas del ser y espectros de la conciencia (Architectures of Being and Specters of Consciousness) brings together twenty-five works on paper along a single path in five series. First, structure: the mind raised like a building, with scaffolding, roots and networks of black lines. Then the presences that inhabit it, the bonds that tangle, the conflict that breaks it. Finally, the specters return in color, rebuilt.
From absolute black to color, in charcoal, acrylic, wax crayon and pastel, each work converses with the one before and anticipates the next. IMBRECH starts from cubism, yet fragments the self rather than objects — to show how it is put back together.

Anatomía de una arquitectura mental, 2026
IMB-26-005

El espectro de las identidades paralelas, 2026
IMB-26-011

Anatomía de las influencias psicológicas, 2026
IMB-26-002

La fragmentación del ser interior, 2026
IMB-26-014

Dimensiones de una identidad plural, 2026
IMB-26-024

Arquitectura de las personalidades invisibles, 2026
IMB-26-025
Work in focus

Reconfiguración de una conciencia inestable, 2026
IMB-26-016
The sheet is divided. On the left, a blue and pink cloud dissolves; on the right, a figure rebuilds itself in crisp rectangles of color, with a red dot at its base. Dissolution and construction happen at the same time. Consciousness is in constant motion, and out of that instability another form begins to emerge.
View the workThe artist
“I don’t draw faces. I draw what the mind does to them.”
Commissions
Your moment in Rio, drawn.
Portraits and scenes on commission, in the language of the collection: the face in planes, memory as geometry.
Request a commissionVisit
Find me on the streets of Rio.
The works are shown outdoors, in different spots around the city. The street is the gallery — every label leads to this room.